Wednesday, December 29, 2010
Changing Lock On Usps
From # 21 Plebella change its design, circulation and editorial policy.
In a format of 16 x21 available only in paper work, Plebella passes an electronic format can be read www.plebella.com.ar where most of its content and design on paper size GREEN PAPER 28 x21 available ON REQUEST BY SUBSCRIPTION.
The new format of the magazine paper allows more content (its Equivalent current 50 pages to 100 pages in the format above), and promotes ENVIRONMENTAL CARE from the restriction of printing (by subscription only) and use less paper with chlorine.
Plebella Paper subscriptions are accompanied BEYA COLLECTION, platelets present poetry-only subscribers of the magazine:
With the # 21 (The Women)
Plebella
# 1 Roberto Echavarren - Ut Pictura Poesis - Bilingual Edition. English version of the Monica de la Torre and author.
See how to get back issues, the complete collection and Beya Plebella info@plebella.com.ar writing or by telephone at (00 54 9 11) ( 15) 5046 5220
Subscribe to Paper Plebella NOW
Ask for back issues, complete collections, the library or whatever you need beya
Tuesday, December 28, 2010
Friday, December 24, 2010
Star Tattoos On Lower Stomach
Paul Eluard / Cowboy hat with TARA ROSE GLADSTONE. Company
More Volcanic. Filmmaking Office.
Sunday, December 19, 2010
Wednesday, December 15, 2010
Misty Mundaevampire Strangler
Monday, December 13, 2010
Betsy Johnson Daiper Bag
Mr. We Follow Us has posted MARBLE # 7 and Anna and fires on the site. Dino Rossi called . Volcanic
Company. Filmmaking Office.
Monday, December 6, 2010
Sunday, December 5, 2010
Tuesday, November 30, 2010
Monday, November 29, 2010
Mulberry Bag How Much Does It Cost
NOW YOU CAN SUBMIT YOUR WORK UNTIL DECEMBER 15! DO NOT STAY OUT RELEASE Poet
2nd Call
Plebella invites poets born between 1965 and 1980 for his second call Poet Revelation. Those selected will be published Internet in a special issue (see issue of the call 2008) with a critical introduction of one or more of the jurors. The call closes on November 30, 2010.
Bases:
-may participate poets born between January 1st. January 1965 and December 31, 1980 to write in Castilian.
"The call is poetry, including in this item not only plays written in verse, but poetic prose, visual poetry and other experimental variants.
-Applicants should send three copies, bound or banding, a maximum of 15 facets of poems.
-Papers should be written on a computer (Times New Roman / 12) on one side in A4 format.
-The papers should be signed with a pseudonym that must be present and clear in each copy submitted. To be attached to the works a sealed envelope was signed by a pseudonym. Inside should contain full name and brief CV of the author, address, phone number, e-mail address, date of birth and identity.
-section should include a CD with the electronic version in Word format with the pseudonym as the file name.
"Each participant can send more than a presentation of poems, provided that they are different series, presented with different pseudonyms as separate shipments.
"The call did not inhibit those poets who have collaborated with Plebella provided they use a pseudonym, compliance with all filing requirements and no.
The deadline starts on 2 May and is extended through December 15, 2010 . Be accepted if they arrive after that limit, as long as recorded in the postmark that were sent earlier. The results will be published during 2011. The work not selected will not be returned. Some participants are not selected may be invited to participate automatically in the next call and / or for future projects.
Poets who made the selection will be partners Blanca Lema, Enrique Solinas and Romina Freschi, director of Plebella
Entries must be sent to: Journal Dept. 2 Plebella Perón 4435 (1199) Buenos Aires Argentina
Friday, November 26, 2010
Wedding Programs Wording For Memory Candles
Friday, October 29, 2010
Wednesday, October 27, 2010
Friday, October 22, 2010
Monday, October 18, 2010
Where To Find Gay Furry Flashes
read by Romina Freschi notes in presenting Plebella Station # 20 halogen after the first session of Reynaldo Jiménez
Bienvenidos
Gracias Reynaldo Jiménez. Gracias amigos.
Antes de empezar el intervalo quiero contar algunas cosas.
Hace más de 6 años, en este mismo espacio que entonces se inauguraba, presentabamos Plebella #1.
Hoy presentamos Plebella #20.
Para los que escribimos hace años, que una revista de poesía llegue a su edición # 20 sin estar relacionada con ninguna institución, y sin ser subsidiaria de un diario u otra publicación o de los suplementos culturales, parece un milagro, y mirando nuestra historia y nuestro esfuerzo, ciertamente lo es.
Someone once called "desguarecida" and taking the word of those who came, may make some sense. But Plebella not seek shelter, does not seek protection, it may be necessary but at some point we do not propose that. I call it independent, but I think I do only for the effort to communicate, but that the truth is that not enough.
Plebella is actually impossible. Adrian told me that Pedreira, years ago, and it is true. It is utopian, outdated, difficult, bizarre, full, ambitious, coherent, concrete, virtual, interspatial, craft, blah blah blah.
Plebella is impossible, and I suppose that it exists.
Plebella # 20 also, as every issue it was until now. And as each issue so far, a challenge and a turning point.
For one thing, in itself, the dossier of Reynaldo Jiménez a milestone that will not necessarily be a routine but does mark a power and reinforce elasticity Plebella be impossible: to address an author long desired inaugurate this approach and give the necessary space for the result to be deployed with multiple collaborators working at the same time and with the present work.
I think it's obvious that this milestone Plebella has marked Reynaldo Jiménez. For me personally and for many who write for years, the presence of Reynaldo is inspiring. I have often said that
In the book that I read Roland Barthes says that writing is, among other things, an act of love, in the sense that when we write we speak of others we love, we witness to them, immortalized. He says especially for fiction, but I never could think Plebella as a means of communication, I always thought as an art object, a space for creation, a work collective course, but art in itself, always. From there, Plebella is also a place to read the authors we love, things we like, that we find interesting.
While what I say may be quite obvious, the fact is that I can only say now, after passing the 20 numbers, and the choices that these 20 numbers involved. In that sense, it is important to me now after these 20 numbers, spend all the work of these years to my mom, who is certainly the person who taught me to work hard for the things I want and I owe all my willpower.
On the other side and into the future, Plebella # 20 also marks the end of an era. Without still too many details I do want to say that Plebella # 21 will have a greater online presence, this is going to work more with web page content, www.plebella.com.ar and this implies also change in the specific design of the magazine, in its materials, which are organic wherever possible, and clearly into their mode of production. But the idea is the same: keep doing things.
halogen Station Thanks again for being our den and our hangar.
to continue the party ...
video recording of the presentation
Thursday, October 14, 2010
Vip222k External Hard
Tuesday, October 12, 2010
Monday, October 11, 2010
Thursday, October 7, 2010
Wednesday, September 29, 2010
Gb4iphone Pokemon Cheats
came out Plebella 20
Against all predictions reserved to poetry magazines, Plebella, current poetry magazine, published this month its twenty number and celebrates its sixth year, on time and without breaks.
Content Plebella 20
Plebella This number 20, dedicated a large dossier on the work of the Peruvian-Argentine poet Reynaldo Jiménez . The artist, performer, musician, poet, editor, translator, responsible among many other projects of the imprint and the tsetse magazine, published in this edition of his poem Plebella So, part of his unpublished book steppe,
The Senses interview without further pursue , poets Emiliano Bustos, Ra Ab Nakh (Anhk) and Romina Freschi, interrogate the poet on its different meanings and feelings in their many activities. The trial Pursuing echo that precedes us, the poet John Salzano, a scenic place and initiatory journey on the poetry of Jiménez and their place in contemporary poetry. Finally, the poet José Kozer and Nakh Ab Ra, literary portraits made Jimenez, projecting from their memories, the aura of a work that bound them. José Kozer, a poem of his series Azogue activity and Ab Nakh Ra as Ha Kar Sar with a brief essay Segelín , closing a memorable dossier, the first document of this nature and extent that is dedicated to Reynaldo Jimenez in our country.
Open the review a book dedicated to helplessness, also Reynaldo Jimenez, editorial reprinted this year by ICCL. Other reviews in Plebella are devoted to works by Arturo Carrera (Essays breath), Daniel Samoilovich (Teasing the Demons), Jean Luc Godard (In his autobiographical poem JLG / JLG), and young Rocío Pochettino and John Reardon.
Among the regular sections of the magazine has Matches Sowers, coordinated by Emiliano Bustos column, in which the squad have the genesis of his books or poems. At 20 participating Eraso Cecilia.
Another section is set Poetic Arts / Contemporary Aires, in which writers are invited to answer a survey on various aspects of their work. The section is supplemented by an anthology on the web with poems by all participants. Respond to this issue Policano Gael Rossi and Corbalán Macky.
La Fiesta, 20 Plebella presentation Oct. 15 at Station
Since the number 13, Plebella illustrates their numbers with references to the Kabbalah Creole . This number 20 is, from every point of view, a party.
To realize the celebration on Friday, October 15 halogen present in the station, the number Plebella 20, with the participation of Reynaldo Jimenez, accompanied by John Salzano, nahk Ab Ra, Sergio Uzal and friends.
Friday, October 15th, 19:30 pm, Station halogen, Bonpland 1183
Issues number 20 and all future issues will be available that day.
What is the best way to get Plebella?
For subscription, of course.
Details in www.plebella.com.ar
POET DISCLOSURE
2nd Call
Plebella invites poets born between 1965 and 1980 for Poet second call Revelation. Those selected will be published online in a special issue (see issue of the call 2008) with a critical introduction of one or more of the jurors. The call closes on November 30, 2010.
Bases:
-may participate poets born between January 1st. January 1965 and December 31, 1980 to write in Castilian.
"The call is poetry, including in this item not only plays written in verse, but poetic prose, visual poetry and other experimental variants.
should send three copies, bound or banding, a maximum of 15 facets of poems.
-Papers should be written on a computer (Times New Roman / 12) by one A4 face.
-The works will be signed with a pseudonym that must be present and clear in each copy submitted. To be attached to the works a sealed envelope was signed by a pseudonym. Inside should contain full name and brief CV of the author, address, phone number, e-mail address, date of birth and identity.
-section should include a CD with the electronic version in Word format with the pseudonym as the file name.
"Each participant can send more than a presentation of poems, always question of different series are presented with different pseudonyms as separate shipments.
"The call did not inhibit those poets who have collaborated with Plebella provided they use a pseudonym, compliance with all filing requirements and no.
The entry period begins May 2 and closes on November 30, 2010. work will be accepted after reaching this limit, as long as recorded in the postmark that were sent earlier. The results will be published during 2011. The work not selected will not be returned. Some unselected participants may be invited to participate automatically in the next call and / or for future projects.
Poets who made the selection will be partners Blanca Lema, Enrique Solinas and Romina Freschi, director of Plebella
works should be sent to: Journal Plebella Department Perón 4435 2 (1199) Buenos Aires Argentina
ABOUT Plebella
Plebella, contemporary poetry journal, was born in 2004 and has since gone on time three times a year in April, August and December. Led by poet Romina Freschi and illustrated by artist Eduardo Zabala, Plebella intends to exercise the critical review of contemporary poetry from the point of view of artists, without pressure or academic or journalistic poses.
Completely independent both economically and from the ideological, Plebella holds a unique place in the Argentine cultural field, resulting content and original songs and inviting the right rhythm and poetry that animate the artistic experience. Plebella not giving reflection after the broadcast, on the contrary, more complex distribution - while meeting with her, offering critical views, original views, and articles of their own thoughts.
Throughout these years Plebella turn has made many networking activities between artists of different disciplines. These activities include the issue number 56 of the visual arts magazine Ramona (Ramona or Plebella, 2005), an art show and poetry National Library to mark its third anniversary and its first 10 numbers (2007), a festival in the House of Reading City of Buenos Aires for its fifth anniversary (2009), the poet calls Revelation ( 2008 and ongoing) and the various electronic samples of contemporary poetry from Mexico, Chile, Uruguay and Argentina (accessible from the website / see Specials).
Monday, June 14, 2010
What Does A Freshwater Sunfish Eat
POET DISCLOSURE
2nd Call
Plebella invites poets born between 1965 and 1980 for his second call Poet Revelation. Those selected will be published online in a special issue (see issue of the call 2008) with a critical introduction of one or more of the jurors. The call closes on November 30, 2010.
Bases:
-may participate poets born between January 1st. January 1965 and December 31 1980 to write in Castilian.
"The call is poetry, including in this item not only plays written in verse, but poetic prose, visual poetry and other experimental variants.
should send three copies, bound or banding, a maximum of 15 facets of poems.
-Papers should be written on a computer (Times New Roman / 12) on one side in A4 format.
-The works will be signed with a pseudonym that must be present and clear in each copy submitted. To be attached to the works a sealed envelope was signed by a pseudonym. Inside should contain full name and brief CV of the author, address, phone number, e-mail address, date of birth and identity.
-section should include a CD with the electronic version in Word format with the pseudonym as the file name.
"Each participant can send more than a presentation of poems, provided that they are different series, presented with different pseudonyms as separate shipments.
"The call did not inhibit those poets who have collaborated with Plebella provided they use a pseudonym, compliance with all filing requirements and no. The deadline starts on May 2 and closes on November 30, 2010. be accepted if they arrive after that limit, as long as recorded in the postmark that were sent earlier. The results will be published during 2011. The work not selected will not be returned. Some participants selected two may be invited to participate automatically in the next call and / or for future projects.
sent to: Journal Plebella Department Perón 4435 2 (1199) Buenos Aires Argentina
Poets who made the selection will be: Blanca Lema, Enrique Solinas and Romina Freschi, director of Plebella
Thursday, May 27, 2010
Heartburn 2 Days After Ibuprofen
INTERNATIONAL POETRY COMPETITION
"John Chrysostom Lafinur"
MUSEUM OF POETRY MANUSCRIPT
THE CAROLINA-SAN LUIS, ARGENTINA
Basics Contest The Poetry Manuscript Museum was inaugurated on 14 August 2007, located in the wild and legendary landscape of La Carolina (San Luis).
The Museum was built in honor the poet, philosopher and patriot of Argentina Independence "John Chrysostom Lafinur" who was born in the mining town in 1797 and died in Chile, at 27 years of age in 1824, while he was exiled to spread innovative ideas were fought in the years after Argentina's independence. History records to Lafinur as the first intellectual exile in Argentina.
Since the late nineteenth century, San Luis lifted Lafinur figure as their own, appointed by the provincial history as "the son of La Carolina." His name appears on schools, streets, apartments, plazas, etc.
In the twentieth century, after arduous efforts and official the province repatriated the remains from Chile. After a series of solemn tributes that included the spread of real value in the national literature, to rest in a granite monument built from the building of the Museum of Manuscript Poetry.
The long journey back from his homeland Lafinur first symbolizes the long journey from Argentina to its fuzzy history, history discontinuous misappropriated; narrative that has skipped in the construction of his story, moments of brilliance and verifiable significance. The return of the remains of a San Luis Lafinur activated appetite for study and learn about their real membership puntana culture.
Lafinur was ancestor of Jorge Luis Borges who remembered him with admiration at different stages of his work. Borges visited the province twice. The first visit occurred in 1973. Despite the snow that day, and his advanced age, asked to be taken to La Carolina to see where your ancestor was born dearest: John Chrysostom Lafinur.
The second visit occurred in 1976 (fateful year for the Argentines). On that trip came only to remember, by a conference, the figure of Lafinur. The event took place in the Aula Magna of the College of the same name, famous building that persists even today in one corner of the Plaza Pringles.
Borges wrote a sonnet which published Lafinur in his book "The iron coin." It highlights the intellectual values \u200b\u200bof his ascendancy, as opposed to the military ethos of the rest of their "major."
The epic part Lafinur poems in "The Lira Argentina" canonical book gathers the most outstanding pieces inspired by the epic poetry of Independence, published in Buenos Aires in 1924, an indication of Bernardino Rivadavia.
As part of the commemoration of the Bicentennial, the Museum of Manuscript Poetry, under the Government of the Province of San Luis, calls for English-speaking poets to participate in this contest to select the expressions poetic, according to a panel of excellence deserving of integrating a book entitled "First Anthology of Poetry Manuscript Museum." This publication will be distributed to selected poets, cultural and educational institutions and part of it will be in the "Poetry Manuscript Museum" to be released from the thousands of visitors who annually cross it with the intention of linking with the history and this ancient art.
The presence of the Museum of Poetry Manuscript of La Carolina, built on the slopes of some hills and ancient totems, evoking the life of an art that, despite the adversities of the world materialized, remains peaceful and deep among men, as an unforgettable discovery.
This contest wants to pay homage to poetry as "a selfless thought"-in the words of Nobel-Saint John-Perse from a remote place in the world: La Carolina, San Luis, Argentina, where you can feel and sense the universal irradiation message that poetry is still breeding in the heart of man willing to freedom. Basis of Competition
PARTICIPANTS
1 -. We call the writers over 18 years old before closing day of the event, Argentine or foreign, to participate in the First International Poetry Contest "John Chrysostom Lafinur. "
The theme and literary technique works will be free in one category: POETRY.
should be written in English. Not be accepted translations, adaptations, recreations or consolidations of other texts.
The works must be original and unpublished, not published in any media, or awards previously or simultaneously submitted in any other contest.
writers may not participate in the dependency ratio, the Ministry of Tourism, Culture and Sport. Subprograms, programs, areas and departments attached to the Government of the Province of San Luis.
Confirmation of non-compliance with these requirements be grounds for exclusion from this and future calls.
OF THE PRESENTATION OF THE POEMS
2. The complete set of poems submitted must not exceed the length of 150 lines (or lines) max.
3. The works will be signed with a pseudonym and submitted in triplicate on letter or A4 size, typed double-spaced, on one side of paper. Must accompany the print or poems, the file in digital format (CDs). The collection of poems must be registered with the National Intellectual Property Registry. Copy of proof of such records shall be included in the second envelope.
4. Inside the envelope in which the send or compositions, must appear in a second envelope duly sealed, indicating name and surname, identity number, address, zip code, country, telephone and email. In addition, a short CV of the participant to attach to the anthology, where he was awarded. In front of the envelope and the copies will be written only the pseudonym and title of all the poems. This is only the information necessary to evaluate the jury.
5. Manuscripts submitted will not be returned. Will become part of the Fair and Literary Archive will guarded, as testimony to their participation in the International Museum of Manuscript Poetry in La Carolina.
6. Establishing a deadline for receipt of the work on Monday, July 12, 2010. If there have been no reception sites will take into account the date of postmark. SITE
PRESENTATION
7. The competition provides 2 (two) seats for receipt of submissions, either in person or by sending postal mail:
a.) Sub-Cultural Management and Administration, located in the Cultural Center Building BAS XXI, San Martín 611 ( 5700) City of San Luis. Tel: 02652-452000 / 02652-452010 ext. 6331
b.) Casa de la Provincia de San Luis in Buenos Aires, located in Azcuénaga 1083 (near Santa Fe) Ciudad Autónoma de Buenos Aires. Tel 011 - 57781621/1665
AWARDS The jury awarded 3 (three) prizes with a monetary framework:
a-.) FIRST PRIZE: includes $ 12.OOO (Pesos twelve thousand) Diploma, editing and 20 (twenty) copies of the First Anthology of Poetry Manuscript Museum "Prize" Juan C. Lafinur. "
b-.) SECOND PRIZE: includes $ 6,000 (six thousand Pesos) Diploma, editing and 20 (twenty) copies of the First Anthology of Poetry Museum Handwritten "Prize" Juan C. Lafinur. "
c-.) THIRD PRIZE: includes $ 4,000 (four thousand Pesos) Diploma, editing and 20 (twenty) copies of the First Anthology of Poetry Manuscript Museum "Prize" Juan C. Lafinur. "
d-.) SPECIAL MENTION: The quantity of which is at the discretion of the judges appointed, who will evaluate the submissions in order to form an anthology that, once edited, referencing the value of poetry as art, promoted by the Museum poetry.
The entries will receive a Diploma, edition of his poems in the Anthology and 20 (twenty) copies of book.
OF
AWARDS Awards will be presented in a special act of homage to the third anniversary of the return from Chile, the remains of John Chrysostom Lafinur and the inauguration of the Museum of Poetry Manuscript of La Carolina. This event will take place at La Carolina, on Saturday, August 14, 2010, in the presence of the jury acting in the competition and the winners and mentioned in it.
both the winners and the above will receive lodging, meals and internal transfers (without chaperones) to attend the awards ceremony, not the cost of transportation from their residence to St. Louis.
ANTHOLOGY OF
be published later in the year in the Bicentennial year, in an edition of large circulation and dissemination.
Part of the issue will be distributed among visitors to the Museum. Winning authors will
Heritage Museum as a handwritten poem by him. JURY
shall be composed of 3 (three) prestigious personalities of the letters designated by the International Foundation "Jorge Luis Borges, Argentina Academy of Arts and Argentina for the Poetry Foundation, and a jury coordinator representing the agency that issued . Their names will be announced publicly at the time of Awards. The award shall be substantiated by police report and will be final.
The result of this contest will be announced by the websites which will be disseminated as the basis and notified by mail to each of the three winners and above.
The competition will not be declared void. ANNEX
Participation in this Contest implies knowledge, acceptance and fulfillment of their bases. Any breach will be grounds for automatic disqualification of the work presented.
have any questions interested parties may visit the e-mail: culturasanluis@gmail.com
The same text will be uploaded in at least two sites official website: www.bicentenario.sanluis.gov.ar and www.cultura.sanluis.gov.ar
Monday, May 17, 2010
Movie Brent Corrigan Free
"The Rose and his fever"
cycle of contemporary poetry
Wednesday, May 19 de 2010 to 19.30 hs.
Introducing "Plebella" n º 19. Converse and read Romina Freschi, director of the magazine.
Reading of poems: Norma Socol
Performance: "Wind, the oracle "by Gustavo Cazenave.
Coordinators: Mary Lilian Escobar and Roberto Cignoni
In Archibrazo, Mario Bravo 437 (one block from Corrientes 3700 ) - Free admission.
are waiting.
Sunday, May 9, 2010
Where Can I Find Morton's Quick Salt
Amelia Biagioni: the voice of the many
Multiplicity takes possession of me. The sum I to say. And in this double movement, rhyme, sing, chirp or roar of the universe. For this reason, the voice of Amelia Biagioni can act in show:
I am the one throat flashing innumerable poems simultaneously exhaling
...
Amelia Biagioni Gálvez was born in 1916 in the province of Santa Fe teacher after graduating from Arts in Rosario, was devoted a secondary school teaching. He published his first poem in 1947, and in 1954 was born the first of his books, "Sonata of Loneliness", a circumstance that favored its establishment in Buenos Aires. From 1957 dates the second of his books, "The Key", which was followed by "Smoke" (1967), "The hunt" (1976), "Seasons of Van Gogh" (1984) and "leakage Region ( 1995). Many of his poems were published, at the time, by leading national newspapers and magazines and abroad, and were translated into French, Italian and English. In 2003, the editorial Xenos Books published "hunts" - "The hunts" - in English translation by Renata Treitel. He received numerous awards for his work and awards. He died in Buenos Aires in 2000. Valeria
Melchiorre is a professor and a graduate in Arts. Has an MA in American Literature from the University of Paris 8. Currently, the university prepares for a PhD on the work of Amelia Biagioni, whose full Poesia (Buenos Aires, Adriana Hidalgo, 2009) edited and prefaced. As a poet, has participated in the Ama-Amazonia 3.0 Anthology 2008 (pájarosló ed.) And in different virtual magazines. She is the author of two books of poetry, so far unpublished.
Saturday, June 12 17:30
Palermo Area Fee: $ 50 (includes materials and snack of tea and snacks) limited Vacancies
Information and registration: info@plebella.com.ar / 155 046 5220
To schedule: Edgar Bayley by Marimé Aranceta Ruda (Saturday, July 3).
Thursday, May 6, 2010
Monday, April 19, 2010
Merilyn Sakova Mediafire
Defending Victims the Franco regime, democracy, human rights and in support Garzón
MILLION VOICES FOR THE VICTIMS OF FRANCO, DEMOCRACY, HUMAN RIGHTS, AND IN DEFENSE OF JUDGE GARZON
The signatories below, historical memories and associations of citizens, whose personal details indicate the necessary commitment to justice for victims of Franco and democracy in our institutions
, EXPOSURE:
At present, the General Council of the Judiciary and the Supreme Court will have to decide on the suspension and prosecution of D. Baltasar Garzón Real, by seeking to assess the English genocide exercised during the Franco dictatorship, at the request of the complaints filed by the English Falange right-wing groups and Clean Hands, and we know what D. Baltasar Garzón is known internationally for his tireless efforts in the prosecution of crimes against humanity. But his investigations into the atrocities committed in Spain under Franco, with corruption scandals, have triggered a scandalous legal and political offensive aimed at diverting him from the judiciary and prevent the truth to surface.
The General Council of the Judiciary and the Supreme Court now face a historic choice: to respect the law and constitutional freedoms or allowing impunity prevailing ideology and the criteria of justice.
As citizens and as members of associations memoirists, it behooves the transcendental inescapable responsibility to act uncompromisingly in favor of democracy, of Law and Judge Garzon, whose cars claiming jurisdiction over the crimes of the Franco regime contain clear and masterly legal reasoning but, however, is on trial for malfeasance.
At the same time, we support and defend unconditionally to all judges to act in the same direction, from the law. That Garzón, or any other professional judiciary, is the subject of persecution from the Administration of Justice by arguing the law, made from judicial independence, legal reasoning to massive crimes against humanity, arguing according to our criminal laws and under international law, causes us deep concern, and aware of our responsibility
as democratic citizens, ON BEHALF OF THE PEOPLE'S WILL, DEMAND:
that in this unusual situation the Judiciary not applicable to the suspension of Judge D. Baltasar Garzon Real, it would cause grave prejudice to the constitutional principle of judicial independence, the inalienable rights of the victims of the dictatorship, and democratic values \u200b\u200bthe rule of law
GO TO SIGN
Friday, March 19, 2010
Bulk Buy Grey Goose Vodka
http://www.pagina12.com.ar/diario/sociedad/3-142297-2010-03- 19.html
published in Página/12
date: Friday March 19, 2010
released by RIMA - Women's Information Network Argentina
A PROJECT IN THE SENATE
Abortion is not punishable
By Mariana Carbajal
The Baldwin is promoting in the Senate an amendment to the Penal Code
prevent the arbitrary delay
conductingthe non-punishable abortions. In the case of Mary, the 15 year old girl raped
of Comodoro Rivadavia, which still awaits authorization
Justice to stop the forced pregnancy, as a backdrop
(See separate article), three senators of the Front for Victory and two
Tierra del Fuego, allied to the ruling party, submitted a draft
clarifies a law that permits broad interpretation to abort
force and punishable by imprisonment from one month to two years to
hospital authorities do not ensure their access within
three days.
"It would be a first step, a first answer to the problem of abortion
. In the rest of the block there agreement, "he told the
Página/12FPV Sen. Nancy Parrilli (Neuquén), who accompanies his signature
the initiative prepared by his partner Elena Fixed bed
(Chaco).
The project was launched the same day she returned to join the
Chamber of Deputies of the National Campaign for the Right to Legal Abortion,
Safe and Free, decriminalizing the practice within
first twelve weeks of the process gestation. Speaking to this newspaper
, Fixed yesterday agreed with a law "limits"
to legalize abortion. "Argentines owe a
discussion on abortion. We could take the example of Spain, "he said
Fixed. But immediately, he said, should clarify the scope
Article 86, paragraph 1 and 2, which defines the permissions for
voluntarily terminate a pregnancy. "We're clarifying a
article for anyone from its ideological position can prevent
exercise of a right, "said Fix. "Forcing any woman
who was raped to carry a pregnancy to term implies, as said
Superior Court of Chubut, attributing to women
heroic acts that the law can not impose "he added.
The project amends Article 86 and states that abortion will not be
punishable under the following circumstances:
1. If done to avoid danger to life or health of the woman
. In this case, the concept of health "shall be construed to
integral as a complete state of physical, mental and social
and not merely the absence of disease."
2. If the woman needs medical treatment and this was
contraindicated during pregnancy. This permit is inspired by the
case of Ana Maria Acevedo, the young 20 years Santa Fe, which had
three children, and died May 17, 2007, after being denied
requiring treatment for cancer of the jaw having a
because they were pregnant .
3. If the pregnancy was the result of a sexual relationship
spoiled or indecent assault committed on a woman. In
these cases, it requires that there be criminal charges.
The initiative states that the danger health or life of the
woman should "be supported by the opinion of a registered professional
of health, other than the practice or direct intervention." In
any case, he says, will require the opinion of an "Ethics Committee."
The non-punishable abortions be performed in utilities
no later than three days from your order. The project envisages
conscientious objection, which must be ordered by writing
. But it clear that not be "institutional", as
"the authorities of public health institutions should ensure
physical and human resources for the exercise of the right
this law gives women "to do so in a
within three" will be considered to fall within the grounds
Article 248 of the Penal Code, which punishes failure
duties public official.
The project bears the signatures of Fixed Kirchner, Parrilli
and Teresita Quintela (La Rioja), José Carlos Martínez and María Rosa Díaz
, Affirmation block a Republic of Equals, Land
del Fuego, allied to the government. "The state has to put light in
this issue," Fixed and considered as a "situation of
profound injustice," the obstacles facing women in the country
to access a abortion is not punishable.
-
Gabriela Adelstein
Buenos Aires
http://mitakuyeoyasinn.blogspot.com/
Wednesday, March 3, 2010
The Big Beng Theory Megastreaming
~ tse tse
1995 ~ 2010
"15 years of Tse Tse" project independent publisher.
Subject Printed celebrates the anniversary exhibit at his gallery in San Telmo seal 60 books including works by Gabriela Giusti, readings and performaces Saturday of March and April.
Opening: Saturday 6 March, 19hrs.
Close: Thursday 15 April.
Location: ASUNTOGALería. Peru 1064. San Telmo.
Tse Tse is a small publisher of poetry, a unusual finesse.
only race as editor Reynaldo Jiménez (a type kind, a passionate poet, an accomplished translator and a captivating performer -all in one -) could have supported a project for 15 years.
Printed Case decided to hold the madness, the stubborn and audacity ingredients considered essential for sustaining the unusual quality publishing projects such as tsetse.
This has organized an exhibition, a toast, a cycle that will bring together leading poets, which (re) present 60 titles and it will blow 15 candles.
All it during the month of March in ASUNTOGALería (the back of the Library Image Peru to 1000).
EDINA Alliance (editors independent Argentina for bibliodiversity) sponsors the festivities.
The festivities begin on Saturday March 6 at 19 hrs.
At 20 they blow out the candles and make announcements special.
And on Saturday March and April there will be readings and performances by poets published by tsetse.
Always at 18:30 hrs. be submitted:
Saturday, March 6: 19hs. Presentation of the editorial by Reynaldo Jiménez.
Aldaburu María Inés, performance on poems and Susan Nestor Thenon Perlongher
Saturday, March 13: Patricia Jawerbaum, John Salzano, Romina Freschi
Saturday, March 20: Liliana Ponce, Roberto Cignoni
Saturday March 27: Reynaldo Jiménez, Silvia Guerra
Saturday 3 April: Mario Arteca, Andrés Kurfirst, Fernanda Castell
Saturday, April 10: Mario Arteca, Catell Fernanda, Maria Rosa Maldonado
Each time you read his own work well, texts of other Latin American authors, published by tse tse ~.
Many poetry / a little history:
magazine and editorial ~ tse tse begins publishing in 1995. Publishers are Reynaldo Jiménez y Gabriela Giusti. It starts at the top, so that made the first edition is # 1 in the early sixties, in a format 20 x 20 cm ., Printed at home, in Laser sheets numbered in an envelope / box of cardboard. To # 4 (1997) maintains that format, and a circulation that according to the delivery of around 150-180 copies (now off unique objects of worship). These are sent or give away to readers chosen by the editors. The central idea of \u200b\u200bthe magazine is publishing a variety of content (text and images) not previously collected, make them talk in the same space.
From the magazine number 5 takes on another character: group happens to be an issue with an editing committee. Comeinza bookbinders thread sewn in a format 22 x 22 cm , in editions of 500 or 1000 copies being distributed (as shown) in bookstores. The two editors more stable in this period, besides the founders are Carlos Ricardo and Carlos Ellif. This phase continued until the number 11 (2002).
begin parallel editions of poetry books, the first Forest of Nemi , Silvina Sazunic (1998). Immediately followed by other books with a regularity of appearance runs almost constant ranging between 300 and 1000 copies. For 2009 ~ tse tse catalog includes more than sixty titles, mostly poetry books in Argentina and Latin America.
magazine in 2003 ~ tse tse change their morphology for the third time (passing 15 x 25 cm in constant run of 500 copies), clearly defined as a magazine-book. While increasing the number of external partners, is once again published by Giusti and Jimenez, the original editors, more Carlos Ricardo. In the meantime is based Archipelago poetry collection, with the idea of \u200b\u200bsetting up a sample of poetic movement across the continent. For 2009 has 29 titles.
In 2004, to celebrate ten years of ~ tse tse, in collaboration with halogen Station of Buenos Aires, the festival takes place Tseicas Party, where participating poets and contributors from various countries. The festival features readings and performances of, among others, José Kozer and Lorenzo García Vega (Cuba / USA), and Soleidae Rios (Cuba), Cecilia Vicuna (Chile / USA), Jerome Rothenberg (USA), Rafael Cadenas ( Venezuela), Roberto Echavarren (Uruguay), Eduardo Espina (Uruguay / USA), Andres Ajens (Chile), Armando Roa Vial (Chile) and Jussara Salazar (Brazil).
Among the magazine and books ~ tse tse has published hundreds of poets, essayists and visual artists, contemporary or not, various aesthetic trends and provenance, original texts or translations specially made.
Some authors published in these 15 years
Yves Bonnefoy, James Fijman, Aldo Pellegrini, Juan Ojeda, José Kozer, Roberto Echavarren, Gaston Fernandez, HM Hopkins, Hector Libertella, Cecilia Vicuña, Jerome Rothenberg, Andrew Ajens, Silvia Guerra, Wilson Bueno, Carlito Azevedo, Leon F. Batista, Lorenzo García Vega, Joseph Beuys, Brian Eno, Liliana Ponce, Juan Larrea, Arnaldo Antunes, Cirlot, Josely Vianna Baptista, Roger Santiváñez, Juan Ramirez Ruiz, Rosa Maria Maldonado, Octavio Armand, Lila Zemborain, Georg Trakl, Américo Ferrari Vladimir Herrera, Alfonso Daquin, Gabriel Bernal Granados, Carlos Riccardo, Oscar del Barco, Henri Michaux, Javier Sologuren, John Battle, Velimir Kliebnikov, Yudi Yudoyoko, Valentina is beyond, Guillermo Ueno, Jorge Ortega, Juan Salzano, Ximena May, Mercedes Roffé, Victor Sosa, Paulo Leminski, Haroldo de Campos, Régis Bonvicino, Edgardo Antonio Vigo, Roberto Cignoni, Víctor Toledo, Patricia Jawerbaum, St. Francis of Assisi, Antonin Artadi, Patti Smith, William Burroughs, Claudia Schvartz, Ignacio Vazquez, Mario Artec, Hannibal, Christopher, Robert Bresson, Jean Luc Godard, Adriano Cangi Nestor Perlongher, Captain Beefheart y. .. a couple hundred more ...